A Summer of Sequels

Two summers ago, I wrote about a Pixar film standing tall as the only major summer studio feature that was wholly original. In Wonder Takes Time, we marveled at Pixar's genuine intent on giving the marketplace of ideas fresh stories. Among sequels ("Pirates 3," "Spider-Man 3," "Shrek 3") and based-on-toy-films, television shows, and reboots ("Transformers," "The Simpsons Movie," "Halloween"), Brad Bird's "Ratatouille" stood alone as the unique entry of the summer.

Well, here we are again, in the summer of 2009, where Pixar has the lone wholly original film of the summer. Pete Docter's "Up," which opens May 29, and is a (gasp!) original screenplay, goes up against these summer films:

• Fast and Furious (sequel)
  
• X-Men Origins: Wolverine (sequel)
  
• Star Trek (reboot/sequel)
  
• Angels and Demons (sequel/based on novel)
  
• Land of the Lost (based on television show)
  
• Night at the Museum: Battle at the Smithsonian (sequel)
  
• Terminator: Salvation (sequel)
  
• The Taking of Pelham 1 2 3 (remake)
  
• Transformers: Revenge of the Fallen (sequel/based on toy)
  
• Ice Age: Dawn of the Dinosaurs (sequel)
  
• Bruno (based on television character)
  
• Harry Potter and the Half-Blood Prince (sequel/based on novel)
  
• Julie and Julia (based on article)
  
• G.I. Joe: The Rise of Cobra (based on television show)
  
• The Final Destination (sequel)
  
• H2 - Halloween 2 (sequel of a remake)